Recently, I watched two films, August Rush and Leap Year, and read a book, A Thousand Splendid Suns. While the films were good overall, the book was wonderful.
In A Thousand Splendid Suns, penned by Khaled Hosseini, the narrative seamlessly blends the stories of the two women protagonists, Mariam and Laila, against the backdrop of the Taliban invasion in Afghanistan.
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A Thousand Splendid Suns is as much “a story about a woman’s freedom from brutal and systematic oppression as it is about human endurance and courage to move on and start afresh.” It’s a story of hope.
As far as the films are concerned, I liked both of them, although when I checked the Internet, none of the films were appreciated by the critics. Carping is the profession of critics so, let’s leave them to that.
August Rush tells the story of a charismatic young Irish guitarist (Jonathan Rhys Meyers) and a sheltered young cellist (Keri Russell) who have a chance encounter one night (the most common trope in romantic movies, lol). However, they are soon estranged, leaving in their wake an infant, August Rush, orphaned by circumstance.
Cared for by a stranger (Robin Williams), August (Freddie Highmore) starts performing on the streets of New York and uses his impressive musical talent to find his parents.
August Rush is a story about a child prodigy in music and his attempts to find his lost parents. It was a simple story and proved to be a good source of relaxation. However, I do agree with the critics on one point- the movie ended abruptly and thus, left a jarring note.
Verdict: Fairy-tale ending. Watchable.
The other film Leap Year (2010) was a good romantic movie starring Amy Adams and Matthew Goode, two formidable acting talents. It had a sweet, simple, and a humorous story.
Anna (Adams) wants to propose to her long-time boyfriend Jeremy and decides to do it the traditional Irish way. So she takes a flight to Dublin, but due to inclement weather, the plane has to land at Cardiff, Wales.
From there, she boards a ramshackle boat to travel to Cork, yet her plans are thwarted once more and she has to land in Dingle.
There she meets a surly but a handsome (yeah, bring on another romance movie trope!) Innkeeper Declan (Goode) who agrees to take her to Dublin.
Voila, Declan and Anna, along with the audience, embark on a road trip and lo behold! What a transformation both of them undergo.
The transformation of both Anna and Declan has been convincingly portrayed by the lead actors. Further, the chemistry between them is undeniable and jumps right off the screen.
Verdict: Happy ending. Definitely watchable!
All in all, both the films were good for biding time.
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