On a wintry foggy morning in San Fransisco in June 1950, when the bloated corpse of Carlo Steffano, a mob lawyer, rolls out of a cargo net, Inspector Andrew Johnson hardly feels any remorse for the dead man. However, what complicates matters further is the discovery of another corpse—that of Hector Arroyo—in the trunk of a nearby car. Arroyo is a drug mule and works for the Mexicans.
This piques the interest of Johnson and his partner, Camozzi, since the mob and the Mexicans are fierce competitors. Hence, it doesn’t make any sense for these two bodies to be discovered near each other. Thus, starts a fateful investigation into these grisly murders, told in the first person from the perspective of Johnson, that plunges him neck-deep into the quagmire of drugs, brothels, and Communism in China.
Monique, the daughter of San Diego Charger’s football great Earl Faison, never imagined marrying her high school boyfriend would turn out to be the most horrible mistake of her life. She also hadn’t imagined she would survive this mistake to narrate her tale.
Playing Dead: A Memoir of Terror and Survival by Monique Faison Ross recounts the author’s experience of a nightmarish marriage that culminated in a brutally violent incident. Her relationship with Chris was unstable from the beginning, but it gradually turned abusive and denigrating.
A Turkish romantic comedy starring Can Yaman and Açelya Topaloğlu in the lead roles of Yalın and Defne (respectively), İnadına Aşk (meaning Love out of Spite) catapulted Yaman to fame in 2015. There is a reason why Yaman became famous after this show.
Though the English title of the show is Love out of Spite, as far as I could understand the Turkish language, here İnadına means stubbornness.
WHAT’S THE STORY?
The story follows Defne and Yalın as they gradually fall in love after disliking each other initially. Defne, after graduating from a renowned university in Tukey, is going to start working for Arass Technology. But, she is late on the first day because her brother finds her dress too revealing. Forced to wear a dress according to her brother’s tastes, she brings along her other dress and changes secretly in the parking lot of the company. There she chances upon Yalın who she assumes to be one of the company staff. Yalın is in fact the CEO of Arass Technology but he does not disclose it. He makes fun of Defne. Why? I won’t tell you. Watch the first episode. You will know yourself. FYI, the sizzling chemistry between Can and Açelya starts from the first episode itself. Watch the show to share their journey of love.
It’s a light-hearted show (which romantic comedy isn’t?) with dollops of rib-tickling humor and (no guesses!) sweet romance. Yaman, as the stubborn, spoilt, rich guy with a heart of gold and Topaloğlu, as the sweet, sassy, smart, honest and rich girl who chatters incessantly, do full justice to their roles.
Set in Boston and London and spanning sixteen years, True Freedom: How America came to fight Britain for its Independence by Michael Dean chronicles the events that led to the American Revolutionary War (1775 – 1783). Focusing on a few prominent characters, Dean provides the readers with an insider’s view into what shaped the revolution.
After watching Erkenci Kuş, the Turkish romantic comedy that has won the hearts of millions worldwide, I couldn’t stop myself from watching other shows of Can Yaman. (Yaman is the male lead of Erkenci Kuş). So, Dolunay (meaning Full Moon), starring Can Yaman and Özge Gürel in the lead roles, was my next stop. The series is also called as Bitter Sweet.
Dolunay revolves around Nazlı (Özge Gürel), an amateur cook and Ferit Aslan (Can Yaman), a young, successful, handsome, and organized businessman. Nazlı needs a job immediately to pay the rent of her apartment that she shares with her sister and her best friend. She accepts the proposal to work in Ferit’s house as his private cook upon her professor’s recommendation.
At the same time, she meets Deniz, whom Ferit treats as his younger brother, and becomes fast friends with him. Deniz soon falls in love with Nazlı, but she doesn’t reciprocate his feelings. The relationship between these three gets even more complicated after Ferit proceeds to take custody of his nephew, Bulut, following his parents’ death. This is obstructed by Bulut’s aunt, Demet and her husband, Hakan who simply want to exploit the child for their nefarious gains.
“I think about a time when eating your fill and feeling safe was normal. … and the worst I worried about was doing my homework. I long for that time, but as I lay there in Wolfgang’s threadbare blanket, another conviction grows inside me like a terrible sore.
I realize I’m mourning instead because that time will never return.”
Quoted from When They Made Us Leave by Annette Oppenlander
A longing for the past that is never going to return – that’s the aftermath of a war. Annette Oppenlander’s “When They Made Us Leave: A Novel about Hitler’s Mass Evacuation Program for Children” details the brutalities of the Second World War from the perspective of the German youth (and their families) who had to attend the much-loathed KLV program (an evacuation program).
As the frequency of Allied bombings increases in Germany, parents are encouraged, and in some cases forced, to send their children to youth camps where they will supposedly lead a better life. Fourteen-year-old Hilda and her childhood friend and love, Peter, are among them. While Hilda is reluctant to leave her mother, Peter is ecstatic to attend such a camp and spend time on the beaches, as promised by the camp organizers.
However, Peter soon realizes the farce behind such camps which are being run in a military style by dogmatic individuals. Hilda, too, must endure a draconian Abbess in the cloister she is forced to attend.
Oppenlander describes Hilda and Peter’s heart-wrenching journey through a war-stricken Germany back to their ravaged homes and into each other’s hearts in this book.